Monday, September 24, 2012

Salcedo Auctions' Take 2 on Important Philippine Art

The large crowd at Salcedo Auctions despite the not-so-good weather

Heart pounding – this is what basically ruled my innermost senses last Saturday, 22nd of September at the Salcedo Auctions in Three Salcedo Place, Tordesillas St. Salcedo Village, Makati City.  It was the second auction of the “Important Philippine Art” for this year, the first being on March 10.  It was raining cats and dogs just like last time but the awful weather didnt seem as a hindrance to fill the venue with art enthusiasts.  In fact, there was a large number of crowd standing because the space have already been packed half an hour before the auction even started.  Yes, I was present in both and I still have not gotten over the enigma of the first yet my emotions were put on a halt again as I found myself chasing over some art works I’m vying for. 

My Paddle - Auctions' version of Pom-Poms
I was eyeing on 5 lots at this year’s auction (not that I can afford it) – Mauro ‘Malang’ Santos’ Still Life with Vase and Flowers, Romulo Olazo’s Kasuy, Romeo Tabuena’s Vendors, J.Elizalde Navarro’s Hiroto Kyoto and Nena Saguil’s 1973 Untitled Abstract.  I got so frustrated over losing on a bid at Malang’s piece but got a hold of my disappointment when I got Nena Saguil’s work. 

Nena Saguil Untitled Abstract 1973 Watercolor -- The piece I won!

Mauro Malang Santos
Still Life with Vase and Flowers 
1980 Oil on Canvas


It was a close contend with Malang, I lost it at the final price of 800,000.  My final attempt was 700,000 and I cannot go farther as I still have to add up buyer’s premium of 16.8% which would give Malang’s piece a total of over 1 million.  Not that I think it’s overpriced.  The piece was boasting with colors and vibrancy and I could’ve gotten it until 1.2M but I have learned to control myself and end at the planned stop.  We hardly see a Malang piece surfaced nowadays, that’s why I got excited when I saw that it was part of this year’s auction but I’ve limit myself to bid until 700,000 only.












Auctioneer Andrew Thomas doing what his best at --
Making the bids go up!
Nonetheless, I am still exultant over winning a bid at Nena Saguil’s work.   I have always been fond of her work, I found her abstract works a distinctive mess of spheres and non-orbital dots yet when looked upon evokes a nostalgic emotion and joyful extravagance.  Andrew Thomas, the house’s auctioneer started the lot at 40,000 and I had the chance to bestow the final bid at 100,000 excluding the buyer’s premium.  I heard from my back an echo of “finally” to the fellow bidders.  Maybe they have witnessed how I have reluctantly stopped myself over Malang’s lot.  Mr. Thomas, I must say is impressive in his craft with his witting talent to press on your limits.  No wonder, his services are repeatedly sought by the auction house.  His cajoles are enough for you to raise your paddle and nod on the impending raise of bid.  In total, I got the lot at 116,800 since it’s part of the rules of Salcedo’s Auctions to add a premium of 16.8%.



As for the three other choices I’ve mentioned, I wasn’t able to get the chance anymore to raise my paddle; there were just a lot of bids thrown at Olazo’s work and Navarro’s.  Romeo Tabuena’s Vendors starting bid was dear already to begin with.

J. Elizalde Navarro's Hiroto, Kyoto 1958 Oil on Canvas
Romeo Tabuena Vendors 1969 Oil on Canvas
Romulo Olazo Kasuy 1995 Oil on Canvas

Ronald Ventura Burnout 2005
Oil on Canvas with Collage


The contemporary artists fared just as strongly, though I’m not a huge fan of modern conceptualized pieces, it’s remarkable to witness how they have evolved in terms of the value of their work.  Last year saw the unprecedented success of contemporary art when Ronald Ventura’s “Academic” reached a final bid of 2.4 million pesos plus buyer’s premium.  Much to the amazement of everyone in the room, the 2005 painting of the artist is just an incredibly 26 x 20 inches, definitely not a major work of Ventura.  So it didn’t surprise the crowd at all to witness the hammer pound at 4.3 million (buyers premium not included) pesos over this year’s included work of the artist.  If I will compute the total amount that the winning bidder needs to shell out, he would settle a staggering 5 million pesos – enough to buy a posh condominium unit or a sports car.

It was also notable to mention another contemporary artist; Jose John Santos’ Conversations soared high at the final bid of 2.6 million pesos.  The piece had been estimated at an amount of 250,000-350,000. Alfredo Esquillo Jr.’s award winning Ritwal did not disappoint as a finale piece when it reached the hammer price of 2.9 million pesos (buyers premium excluded).  Pam Yan-Santos’ Storyboard (a portrait of the artists’ mother) has gone beyond its high estimate of 190,000 to 800,000.

Jose John Santos Conversations 2005 Oil on Canvas

Pam Yan-Santos Storyboard 2005 Mixed Media

Alfredo Esquillo Jr. Ritwal 1995 Oil and sawdust relief on rubber panel

The old artists were also competitive.  Nena Saguil, Federico Aguilar Alcuaz, Bencab, J. Elizalde Navarro and Jose Joya – as expected have exceeded the house’s appraised value proving that they’re the Philippine Art’s masters.

Jose Joya Untitled Abstract 1957 Oil on Canvas

Federico Aguilar Alcuaz Viento Sobre Viento 1964 Oil on Canvas

Auction's Topnotcher -- Anita Magsaysay Ho Lady with Guitar 
1950 Oil on Canvas


One of my favorite painters, Anita Magsaysay Ho would send another shockwave to the local and international arena as it ended a realized price of 6.3 million pesos with her rendition of a classic portrait of Lady with Guitar (circa 1950) in oil.  It was a fierce bid between live bidders and telephone bidders as paddles have relentlessly been raised to pave way for their offers – all just to own the lady painter’s coveted piece.  This stunning sale of the painter’s piece did not surprise the crowd anymore as Ho still holds the record of a Filipino painter who has reached the 15 million mark for a small piece (In the Marketplace) at the prestigious Christie’s auction of Southeast Asian Art.

This is indeed another remarkable moment of Philippine Art.  It's an elating experience to be surrounded with Filipinos who are willing to get a hold of their country's enduring talents.  The art industry in the country still proves to be true and loyal to its lineage. The almost 100% Filipino crowd in the auction event is enough evidence to substantiate this.

As for me, I'm ecstatic that I got a piece of Nena Saguil though sad that I lost on Malang's artwork.  But true enough, I have conquered my fear of bidding (raising the paddle is still a conquest at first), I've become a participant of yet another proud Filipino moment and I'm sure to have learned what and what not to do on the next auction I will embark on.  My heart pounced, skid, stopped and beat again.  Truly an experience worth remembering -- and worth sharing (blogging).

Photos in these entry are taken from the Salcedo Auctions Online Catalogue. Captions of photos are copied from the inset descriptions provided in the catalogue.  

By the way, I forgot to bring a decent camera at that time so I used my iPhone instead to at least capture some still photos of the event. Pardon me for the low quality pictures.  





Wednesday, September 5, 2012

The Elite & Fine Arts – A Perfect Symmetry



By: NBA

The art world is often associated to a niche market.  A market that is well-segmented to the wealthy personas and to the erudite ones -- the elites.  In a third world country like ours, pricey artworks are regarded as treasures and a rich man’s “quirks.”

A good number of successful people’s wealth is rooted from putting capital into traditional investments; in the form of stocks and bonds.  Majority of them chooses this type as it proves to be less risky compared to other nature of investments.  However, there is that growing cluster of elites that goes outside the normal realm of finances; they settle to alternatives such as real estate, coins, cars, wines and for this matter – the fine arts. 

This article will explain the perfect symmetry of the elites and their connection to fine arts.     What instigated them to see art in an unusual way?  Alongside the fact that they can afford anything to their liking, rich people didn’t get rich because of their caprices.  Most of them have accumulated their wealth because of wise and sound financial decisions they have made. 

But the question now is why art? why do the elites invest in it?


Diversified Investment Portfolio

Any millionaire can attest to the general rule of spreading out your capital, Fine art, however, seems to be the more exciting option for elites.  As the editor in Economic Times said, “Art is one of the few tangible assets that also qualifies as a ‘passion investment’. There is more enjoyment in displaying art on your wall than in displaying stock certificates.”  Sure, they have seed capital elsewhere too like real estate or the stock market.  But with art, they get to serve what the economic irony of “wants” and “needs” dictates.  They get to broaden their horizons in terms of investment by spreading their capital; thus, reducing the risk for loss.  


However, treating art as an investment entails a deep knowledge and dedication to the trends in the market.  Serious art collectors sometimes seek advices from experienced art connoisseurs to gain insights into picking a certain type of painting or sculpture.  They read society pages, attend countless exhibits and observes the whole scene if need be.  




Earn later on

The world economy has never been so unpredictable; stocks, bonds, currency exchange is in a state of flux more than ever.  Most investors would rather put on their money with something pleasurable and valuable such as buying paintings.  Being endowed with wealth, they have the ability to acquire possessions and the luxury of time to reap off the benefits of their action.  Just like how other groups channel their extra money to 'pre-selling condos' or barren lands, this type of investments will pay off in time through appraisal.  Fine Art, on the other hand is given the same treatment, art investors amass pieces they believe will appreciate through time.  

An overtly wealthy businessman collects the works of the masters – those with offbeat prices that sets our pulse rising.  This type of collectors are the conservative ones, they go for the tried and tested.  Their goal is to acquire pieces of high value already, that later on could still command price in the market. 

On the other hand, there are those young bloods who go for contemporary artists – these group aims for a great return of their money later on as the career of the artist ripens too (provided that they have made a good prediction).  They belong to the movers and drivers of the art world.  They support the art scene, rubs elbow with the gallery owner and boasts of their growing collection of young artists. Dr Sarah Thornton, author of Seven Days in the Art World cites in his book, “Collections are more likely to increase in value if they are seen by the general public because art accrues value through exposure. This is particularly important with contemporary art, where the reputations of these artists are still being consolidated.”   That is why they enjoy being photographed in art exhibits that will later on grace the lifestyle section of the newspaper.  After all, their mere presence produces prestige simply by association with wealth.  They manipulate the “market” and set the parameters.  The result -- prices of the pieces they own would go to unprecedented heights and give them a huge amount of money compared to what they have shelled out.  After all, a businessman always knows where to put his money and does everything to make it earn.    





‘Pamana’

For the majority of elites, acquiring a piece of painting not only adorns the pristine walls of their mansions but also serves as investments that could lead on to the next generation’s wealth.  There’s this notion of ‘pamana’ that we all know is only germane to the Filipino upper class.  Most parents prefer to hand down properties and tangible items over an amount of cash in the bank, simply because it is more sentimental to begin with.  In the case of art works, possessing a family heirloom gives more value to the painting (such provenance can be given).    



Start a Collection

When one starts to get a hold of what interests him and focuses on it, he would most probably start a collection.  Elites chooses a collection that they can take pride in their sphere.  It is not new to hear wealthy men paying a hefty amount of money for some vintage cars that they treat like babies or a group of businessmen boasting about their hundred year old wines stored in their fancy bars. Collecting art is one of those that belonged to the circle of class.  A lot of these elites have different styles of collecting art and they are more than willing to spare hundreds of thousands to get a good piece.   When an art enthusiast starts acquiring pieces in his early years, he then grows with his collections.  He will grow accustomed to its beauty and hang into it.  These possessions now become even priceless to him.

Once people own something, they start to ascribe value to that object simply through having owned it and that means that they are not willing to sell it at the same price for which they would buy it,” (Economic Times). 



Social Status


For most Filipino middle-class citizens, the price of a small-framed art piece of a reputable artist can drive them nuts. An average pinoy developed an allergic reaction to art galleries, auction houses and art gala events mainly because of its extrinsic association to high prices and suave galleries.   It’s Juan’s hors d'oeuvre or aperitif to his ordinary meal.

But to the upper class, it is another story.  Acquiring art works for some elite is also equivalent to a wealthy man’s omnibus of vintage cars and a rich woman’s collection of fine jewelries.  Owning ‘treasure’ for the elites is a social act, especially if they get to flaunt it to people. The more people find it peculiar to own such a massive fortune, the more elevated is the status of the person juxtapose to these ‘treasure assets’. 

In the boorish world of the ‘rich-and-the famous, it is important to be talked about in the society pages.  And what better way to be chattered upon than purchasing Filipino art pieces.  Clever eh?; patronizing your own art and putting-in on non-traditional investments – sounds like a smart move.




Quench for Fine Things

It is inherent in our human nature to aim for the finer things in life.  We are thirsty for material things – a new gadget, a new house, a new car, a new set of jewelry or just any other object that pleases our most innate need to “have”.  For the elites, this is an easy feat to deal with.  And the art scene, just like the exciting world of technological innovations and the trendy automobile world is ever changing, always stimulating and never ending.  The art works they have in hand is always never too enough to satisfy their innest cravings – and the well offs are fond of it. 

"Your motivation...must always be to please yourself. Follow your intuition and buy what sings to you. The objects you acquire should give you pleasure and fellowship."
- Richard Faletti, Tribal Arts Autumn 1997